Why do we need critics? A good friend of mine in a very big city was once told by his editor that the critic should "reflect the taste of the readers." My friend said, "Does that mean the food critic should love McDonald's?" The editor: "Absolutely." I don't believe readers buy a newspaper to read variations on the Ed McMahon line, "You are correct, sir!" A newspaper film critic should encourage critical thinking, introduce new developments, consider the local scene, look beyond the weekend fanboy specials, be a weatherman on social trends, bring in a larger context, teach, inform, amuse, inspire, be heartened, be outraged.
At one time all newspapers by definition did those things on every page. Now they are lascivious gossips, covering invented beats.
Perhaps fearing the challenge of reading a newspaper will prove daunting, papers are using increasing portions of their shrinking news holes in providing guides to reading themselves. Before the Chicago Tribune's new design started self-correcting (i.e., rolling itself back), I fully expected a box at the top of a page steering me to a story lower on the same page.
The celebrity culture is infantilizing us. We are being trained not to think. It is not about the disappearance of film critics. We are the canaries. It is about the death of an intelligent and curious, readership, interested in significant things and able to think critically. It is about the failure of our educational system. It is not about dumbing-down. It is about snuffing out.
Tuesday, December 02, 2008
Ebert - Critics Are Just the Canaries in the Coal Mine
Roger Ebert, unleashed: