What's striking is that a lot of the year's best work was done by smaller companies. Perhaps because they're driven more by artistic interests than by the need to appeal to a broad audience, or perhaps because they're more tightly focused and more passionate, or perhaps just by chance, the city's smaller troupes this year, by and large, outshone their larger siblings. From the sweeping two-part presentation of "Angels in America" by Boston Theatre Works last season to this fall's hauntingly spare "In the Continuum" by Up You Mighty Race and Company One's incisive "Voyeurs de Venus," big ambitions paid off for small companies.
Carolyn Clay's roundup is here.
The Edge Theatre roundup for 2008 is much more extensive, and ranges more into the fringe than either Clay or Kennedy. For example: Gurnet, Image, and Counterproductions are on the list.